The Dragonfly Lamp is one of the most sought-after and recognizable creations from the production of Tiffany Studios. It is an ultimate example of the Art Nouveau aesthetic and won a medal at the 1900 World’s Fair in Paris.
Authorship and Recognition: The Role of Clara Driscoll
The design of the Dragonfly, sometimes referred to as the Dragonfly & Water shade (Shade No. 1495), is now recognized as one of more than thirty lamps designed by Clara Driscoll, the head of the Women’s Glass Cutting Department. Her authorship was only fully recognized after the discovery of her correspondence in 2007, which led to the exhibition A New Light on Tiffany.
Copper Foil and Filigree Work
This model is a masterpiece of the copper foil technique. The copper foil method allowed for the complex curves and fine details in the design, which were difficult to achieve with traditional, stiffer lead came.
- The lamp is distinguished by the integration of metalwork (filigree) over the glass, specifically to represent the delicate veins of the insect wings.
- The bodies of the dragonflies are often raised, and their eyes consist of sparkling glass jewels.
- The dragonflies are often depicted above variegated blue water, interspersed with aquatic plants and pink flowers.
Historical and Commercial Significance
The Dragonfly lamp, along with the Wisteria and Poppy, belongs to the most valuable and iconic designs of Tiffany Studios. The success of such lampshades was crucial to the Fancy Goods Department, led by Driscoll. When male labor unions threatened to strike in 1903, Driscoll noted that the majority of their revenue came from lampshades, which underscored the commercial independence and influence of the women's department.
Discover more about the designers and the collaborative nature of the studio in our article on Clara Driscoll and the Tiffany Girls.
